Executive Board Minutes 9/18/22

Show Check-outs

First Mates (Summer Show)

Natalie (Co-Director):

“I hope you are all doing well, and my apologies for not making it in person. I'll start my checkout by saying that this process, overall, went extremely well. I am so pleased with how the show turned out and I am thrilled that my last show with Stage Troupe was with such an amazing cast, crew, and creative team.

Obviously, we started the summer with some difficulties, as Orientation did not hold up their end of the bargain and we did not have many students from Orientation attend in June—I believe our grand total was 4 Orientation students out of all of our June audiences combined. Our FYSOP show brought in plenty of first-year students, and we had a decent turnout for Revival, but I wonder if things with Orientation will improve next summer, or if having a summer show that intends to cater to Orientation will be feasible at all.

The only other difficulty we faced this summer was that of promotion. Clearly, Orientation did not help promote our June shows, but I was disappointed with the lack of promotion within Stage Troupe. The producer originally assigned to First Mates had to drop the show for personal reasons—no fault of hers at all—but the producer who replaced her was not in Boston for the majority of the summer. Producing from a different state is very difficult, and I believe more could have been done if we had a Producer who was in the area and able to interact with the production and create adequate promotion for the show. I'm emphasizing this subject mostly because on every single show I've directed in Troupe I have worked with inexperienced producers and, in the end, was forced to create my own promotional materials for each show, or otherwise pick up some portion of the producing responsibilities. At this point, it's a pattern. Being a head producer is a significant amount of responsibility and should be reserved for those with actual producing experience—not because I'm trying to gatekeep, but because it is a vital role that is often under-supported. In addition, there was a lack of Summer Show promotion on the Stage Troupe socials, which could certainly be a side effect of the lack of promotional materials, but it would have been nice to see more effort made.

As for advice for future directors: knowing when your actors need a break is important. This is especially true for longer processes such as summer show, but also for extremely quick turn arounds such as Friends and Family. It's okay to not take yourself too seriously, or for things to not be perfect. This is meant to be fun. Pay attention to the days when your actors seem burnt out—maybe you should let out early, or have a fun run instead of going over blocking a million times. Everything will be okay in the end, so just make sure the process is enjoyable for everyone.

I think those are the most important things I wanted to mention. A big thank you to everyone who worked on First Mates. I am officially out of Troupe (you lucky bastards) but I am excited to see the shows this fall. Best of luck!”

Leela (Co-Director):

  • liked continuing a show that they worked on

  • challenge to work with changing casts and crews

    • affected read-throughs and rehearsals

  • better to rehearse in theater where performances were gonna be held

  • communication could have been better

    • hard with distance issues

Stella (SM):

  • first time stage managing in-person, learning curve

  • learned how to do cues

  • communication was a struggle

  • scheduling was a hassle

    • especially in the summer

  • loved the show!

Hal (TD):

  • “hey everyone! everything went well and we had a great show! im thankful for all the actors who helped immensely with tech!! i love gay pirates. checked out!”

Evan (Producer):

  • came onto show after the process had begun

  • adventure working in Wisconsin!

  • still pulled it off

  • taking on different tasks when other CT members need it

  • more difficult to put up posters digitally in the summer

E-Board Check-ins

Emma:

  • staffed auditions and callbacks

  • went to GM 1

  • sent out many emails to CTs and E-Board

Stella:

  • staffed auditions, not callbacks

  • ran deliberations

    • went really well, according to Steve

  • groups were chill and everyone was nice about it

  • sent out big emails about rehearsals

Guin:

  • went to GM 1

  • made COMBAT interest form

    • will send it to Melina

Jack:

  • went to GM 1

  • staffed one day of auditions and callbacks

  • tracking dues with Excel sheet

    • will match up to cast lists

  • received AP forms

Melina:

  • helped with auditions, callbacks, deliberations

  • went to GM 1

  • sent two newsletters

  • updated website and Linktree

  • posted on Instagram and Twitter

  • did not show up to tech meeting, but will help Rayna with Techstravaganza stuff

  • if you need anything posted, email stage@bu.edu!

Rayna:

  • helped with auditions and deliberations

  • went to GM 1 and first tech meeting

    • ATD and ASM interest!

  • answered WM tech questions

  • met with TAs about workshops

  • updated

Steve:

  • none

Show Check-outs

First Mates (Summer Show)

Natalie (Co-Director):

  • see email

Leela (Co-Director):

  • liked continuing a show that they worked on

  • challenge to work with changing casts and crews

    • affected read-throughs and rehearsals

  • better to rehearse in theater where performances were gonna be held

  • communication could have been better

    • hard with distance issues

Stella (SM):

  • first time stage managing in-person, learning curve

  • learned how to do cues

  • communication was a struggle

  • scheduling was a hassle

    • especially in the summer

  • loved the show!

Hal (TD):

  • “hey everyone! everything went well and we had a great show! im thankful for all the actors who helped immensely with tech!! i love gay pirates. checked out!”

Evan (Producer):

  • came onto show after the process had begun

  • adventure working in Wisconsin!

  • still pulled it off

  • taking on different tasks when other CT members need it

  • more difficult to put up posters digitally in the summer

Show Check-ins

The Little Mermaid (Family & Friends Weekend Show)

Hadysha Miller (Director): 

  • none


Amy Fryda (Musical Director): 

  • none


Emma Neary (Technical Director): 

  • made a set design!

    • idea of MCs

  • looked at costumes

  • went to tech meeting and talked about tech for the show


Daphne Parker (Producer):


Madison McCormack (Stage Manager):


Mackenzie Hackett (Choreographer):


Fiona Brymer (Choreographer):


A Small Family Business (Fall Mainstage Show)

Director: Gavin Mastella

  • went to GM 1

  • auditions – went well except for Thursday

    • poor planning, etc. affected callbacks

  • got the cast!

  • having first read-through later tonight

  • interest in ASM position

    • redirect them to tech form


Technical Director: Molly Flanigan

  • attended to GM 1

  • talked during tech meeting

  • talked to 3 prospective ATDs

  • skimmed script, did thorough read-through over weekend

  • tentative set design


Assistant Director: Mariam Hydara

  • auditions went well

    • exciting for her!

  • notes did not make sense, need to work on that

  • callbacks went well and saw what they needed to

    • satisfied

  • excited for table read today


Producer: Renata Feinstein

  • went to GM 1

  • talked to AP prospect


Stage Manager: Macy Bornstein

  • went to auditions and callbacks

    • very new… it was alot

  • finalized rehearsal schedule for this week, today


Ride the Cyclone (Fall Mainstage Show)

Guin (Director):

  • went to GM 1

  • attended auditions and callbacks

    • Thursday was more complicated

    • stuck to schedule, rushed a bit near end

  • deliberations went well

  • meeting with TD

  • went to tech meeting

  • first-read through scheduled for tomorrow night

Claire (TD):

  • met with Guin before the tech meeting yesterday and went over needs/wants/wishes spreadsheet. Really excited for the journey of this show’s production and looking forward to working with an amazing creative team 💗


Madeleine (Music Director):



Technical Director: Claire Parrell 

  • met with Guin before the tech meeting yesterday and went over needs/wants/wishes spreadsheet


Musical Director: Madeleine Clinch


Assistant Director: Sarah Valger

  • a lot of unnecessary talking during deliberations

    • could not hear


Producer: Ian Aquino

  • went to GM 1

  • thinking of ideas for producing

  • listening to soundtrack


Stage Manager: Zoe Larrimer

  • went to auditions and callbacks

  • helped with E-Board during callbacks

  • created calendar with potential conflicts

  • talked to potential ASMs


Choreographer: Guin Keith



First Mates creative team checkouts:

  • Hal: hey everyone! everything went well and we had a great show! im thankful for all the actors who helped immensely with tech!! i love gay pirates. checked out!


Division of Power Chat:

  • how to be on the same page and communicate

  • document made by Emma, shared to CTs

  • added guides of the positions

    • some are outdated

    • director guide is coming in soon

  • Rayna said that communication can be talked about with doc with CT

  • 33-33-34 (Producer, TD, Director) should be noted

  • Steve says defer to TD about safety


Stage Managers :)

  • room booking should go through SMs

  • rehearsal schedules should be sent to Stella ASAP

  • do not use the theater without prior consent

Little Mermaid Casting Change:

  • cast change – Skylar Sherman dropped

    • will go to Drowsy chaperone

COMBAT:

  • Guin made form, will be sent to Melina

    • double checking facts

  • decided on theme … “A Blast from the Prehistoric Past” (cavepeople)

  • sending timesheet for E-Board shifts

  • writing can occur anywhere!